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Product Description
New Orleans based jazz funk drummer Stanton Moore was a founding member of the Â"steamroller funkÂ" band Galactic in the early 1990s, and has dabbled in a variety of progressive jazz projects in the years since. His discography includes two solo recordings (All Kooked Out in 1998 and Flyin the Koop in 2001) and a host of collaborative projects, including Garage a Trois, a progressive jazz trio with eight-string guitarist Charlie Hunter, saxophonist Skerik and vibraphonist Mike Dillon. Outre Mer, Garage a Trois 2005 release on Telarc, followed a consistently polyrhythmic groove, thanks in large part to MooreÂs broad range. Moore steps out on his own again for the aptly titled III, his third solo project. This recording features Robert Walter on organ and Will Bernard on guitar, along with a few special guests: Skerik, and trombonist Mark Mullins. The album was recorded at the legendary Preservation Hall in New Orleans. In the final stretch, Moore pays a solemn tribute to his beleaguered hometown with a three-song suite. It begins with beautiful rendition of South African pianist/composer Abdullah IbrahimÂs Â"Water from an Ancient Well,Â" followed by a dark and ominous rendition of Led ZeppelinÂs Â"When the Levee Breaks,Â" and closes with the gentle spiritual, Â"I Shall Not Be Moved,Â" a track that suggests perseverance and resolve.
Indeed, Moore is a survivor  literally and artistically. Despite some of his own personal setbacks in the aftermath of Katrina, he continues to channel the muse and explore the remote places where jazz, funk, soul and various other musical strains merge. III is, among other things, a survivorÂs tale  a recording that ignores adversity and pursues the creative ideal.
From the Artist
Â"I wanted to do something in Preservation Hall because of the sound in the room and the amazing vibe there. After Katrina, they werenÂt having music and were waiting to reopen, so I saw that as an awesome and rare opportunity to spend a few days in there with a remote recording setup and make a record. Stanton Moore
About the Artist
Born and raised in New Orleans (and living there still, when heÂs not on the road), Stanton Moore is very much a product of geography, culture and creative networking. He grew up in the thriving music scene of his hometown that included Professor Longhair, Doctor John, the Meters and countless other Big Easy mainstays.
In the early Â90s, Moore hooked up with guitarist Jeff Raines, bassist Robert Mercurio and keyboardist Rich Vogel and saxophonist Ben Ellman to form the New Orleans-based Â"steam-rollerÂ" funk band known as Galactic. After receiving his bachelorÂs degree in music and business from Loyola University, Moore and the band made their first record (the widely acclaimed Coolin Off) and hit the road to do nearly 200 gigs a year for the first ten years of GalacticÂs existence. The band has since released five more albums since Coolin Off, and continues to amass a worldwide audience via recording and touring globally.
Aided by eight-string guitar virtuoso Charlie Hunter and saxophonist Skerik (Les Claypool, John Scofield, Roger Waters), Moore launched his solo career in the late Â90s with the All Kooked Out!, an album recorded in New Orleans just after Mardi Gras in 1998 and released later that year. In addition to the Moore-Hunter-Skerik core, All Kooked Out! also featured a handful of New Orleans horn players, including Brent Rose, Brian Seeger, Matt Perrine, Ben Ellman, and former Sun Ra trumpeter Michael Ray. Moore extended the solo discography with the 2001 release of Flyin the Koop (Verve/Blue Thumb).
In the midst of MooreÂs All Kooked Out! sessions, yet another concept was taking shape. Outtakes from the session turned into the first Garage a Trois release, Mysteryfunk (1999). In 2000, the trio was augmented by percussionist Mike Dillon (Les Claypool, Ani DeFranco) and has since released two more albums  Emphasizer in 2003 and Outre Mer (on Telarc) in 2005  both with Moore behind the drum kit.
Moore continues his Telarc affiliation with the September 2006 release of III, his third solo recording. In addition to a trademark sound that Modern Drummer calls Â"infectious, jazz-meets-Bonham, nouveau second-line,Â" III also features organist Robert Walter (Greyboy Allstars, The Head Hunters), guitarist Will Bernard (T.J. Kirk, Doctor Lonnie Smith), along with a few special guests: Skerik and trombonist Mark Mullins (Galactic, Bonerama, Harry Connick, Jr., Better Than Ezra).The album was recorded at the legendary Preservation Hall in New Orleans.
Moore has also been keeping busy with a myriad of side projects. In 2005, he released an educational project covering his approach to New Orleans drumming called Take It to the Street, comprised of a book/CD and two DVDs. The project has been very well received and has won numerous accolades, including 4.5- and 5-star ratings from Modern Drummer magazine and first and secon ASIN: B000HIVOE6 VSKU: DBV.B000HIVOE6.A Condition: Acceptable Author/Artist:Stanton Moore Binding: Audio cd
Note on Condition
Most of the items in our store are used. The item's condition grade is indicated near the bottom of the product description. If you have any questions regarding specific details of an item, please contact us. We use the following rating scale:
Books:
Used - Very Good: Item may have minor cosmetic defects (marks, wears, cuts, bends, crushes) on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in listing comments. Item may be missing bundled media.
Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. Gently used ex-library books with library stickers and markings may be classified as good. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.
CDs/DVDs/Discs:
Used - Good: Case may be damaged or come repackaged. Disc may have up to 1.5cm marking but is in great working condition.
Used - Acceptable: A product with extensive external signs of wear, but is in great working condition. The case may be damaged. The cover art, liner, notes, or other inclusion may be marked, or one or all of these items may be missing.
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