{"product_id":"gioia","title":"Gioia","description":"Review\n\n\"A superstar in the making, as I noted here after her Adina in last year's L'elisir d'amore, Kurzak fills the house with her thrillingly pure, warm voice and acts the rest of the cast off the stage. It is a rare moment, indeed, when an opera singer can change the mood with a flash of an eye, the tiniest gesture of disdain.\" -- (The Guardian)\n\nDonna Fiorilla in Il turco in Italia - London, Royal Opera House, April 2010 \"Kurzak, a rising-star soprano with flashing eyes and cover-girl looks . . . she can define a saucy moment with a twitch of an eyebrow and pings her way perfectly through Rossini's stratospheric coloratura vocal lines . . .\" -- The Observer (London), 11 April 2010\n\nLucia in Lucia di Lammermoor - Seattle Opera, October 2010 \"Making her debut in the challenging role of Lucia, Polish coloratura Aleksandra Kurzak acted the rest of the cast off the stage. Kurzak's mad scene made those of most current Lucia interpreters look quite tame . . . her performance was a musical and dramatic tour de force.\" -- Opera News (New York), January 2011\n\n\"Kurzak is a dazzling new star\" -- (The Sunday Times)\n\nRosina in Il barbiere di Siviglia - London, Royal Opera House, January 2011 \". . . this is Kurzak's evening, first and last. The aria in which she introduces herself is perfectly paced, with her demure self-description (`I'm obedient, gentle, and loving') belied by a sudden access of fury as she starts hurling darts at the wall: so convincing is she that when she makes a feint at the stalls, people in the front row instinctively cower in fright. Her coloratura is smooth and accurate, and her tone can turn from silk to steel in a flash; she's both a consummate farceuse and a commanding vocal presence . . . This is a singer who must be seen as well as heard.\" -- The Independent (London), 19 January 2011\n\nProduct description\n\nSoprano Aleksandra Kurzak’s radiant voice shines on arias and ensembles from Mozart, Verdi, and more—her technical skill and warmth make every selection shine.\n\nAbout the Artist\n\nPolish-born soprano Aleksandra Kurzak began her musical education at the age of 7, playing violin and piano. She studied voice at the conservatories of Wroclaw and Hamburg. She made her professional opera debut at the age of 21 at the Wroclaw State Opera as Susanna in Le Nozze di Figaro. Her mother and teacher Jolanta Żmurko performed the role of Countess. Kurzak is a laureate of singing competitions in Warsaw, Barcelona, Helsinki and Canton. In 2009 she received a PhD in Music. Between 2001 and 2007 Aleksandra Kurzak was a member of the ensemble of the Hamburg State Opera, where she sang numerous roles: Queen of the Night, Blonde, Susanna, Servilia, Marzelline (Fidelio), Nanetta (Falstaff), Ännchen (Der Freischütz), Gilda, Adèle, Gretel (Hänsel und Gretel), Maid (Powder her Face), Musetta, Cleopatra, Fiorilla (Il Turco in Italia), Marie (La Fille du Régiment). In 2004 Aleksandra Kurzak made her debut at The Metropolitan Opera in the role of Olympia in Les Contes d'Hoffmann. In the same season she debuted at the Royal Opera House Covent Garden as Aspasia in Mitridate, Re di Ponto. The artist returned to the Met, singing Blonde in Die Entführung aus dem Serail and Gilda in Rigoletto. Since her first London appearance, Aleksandra Kurzak has returned regularly to the Royal Opera House, where she has performed roles of Norina (Don Pasquale), Adina (L'elisir d'amore), Susanna, Matilde (Matilde di Shabran) achieving a real triumph on this stage and most recently of Donna Fiorilla (Turco in Italia) and Rosina (Il Barbiere di Siviglia). In February 2010 she made her debut at the Teatro alla Scala as Gilda in Rigoletto. Aleksandra Kurzak has appeared at the Staatsoper in Berlin (Queen of the Night), Teatro Regio in Parma and Théâtre du Capitole in Toulouse (Gilda), Bavarian State Opera in Munich (Cleopatra, Adele, Rosina), Vienna State Opera (Rosina, Adina), Teatro Massimo in Palermo (Norina), Lyric Opera House in Chicago (Blonde), Salzburg Festival (concert arias by Mozart, Ännchen and Donna Anna), National Opera House in Helsinki (Gilda), Palau de les Arts in Valencia (Adina), National Opera House in Warsaw (Gilda, Violetta), Mozart Festival in La Coruña as well as at the Welsh National Opera in Cardiff (Aspasia), Finnish National Opera (Gilda), Theater an der Wien (Donna Anna and Amenaide), Teatro La Fenice in Venice (Donna Anna) and Seattle Opera House (Lucia). Aleksandra Kurzak has collaborated with many well known conductors including Ivor Bolton, Bruno Campanella, James Conlon, Sir Andrew Davis, Christoph von Dohnányi, Riccardo Frizza, Rafael Frühbeck de Burgos, René Jacobs, Nicola Luisotti, Sir Charles Mackerras, Ingo Metzmacher, Daniel Oren, Carlo Rizzi, Ralf Weikert and Simone Young. Aleksandra Kurzak has signed an exclusive recording contract with DECCA in 2011. Her debut recording Gioia! - a collection of contrasting lyric and coloratura arias - will be released in August 2011. In next seasons Aleksandra K\u003cbr\u003eASIN: B004P1YX4E\u003cbr\u003eVSKU: DBV.B004P1YX4E.G\u003cbr\u003eCondition: Good\u003cbr\u003eAuthor\/Artist:Aleksandra Kurzak|Orchestra De La Comunitat Valenc\u003cbr\u003eBinding: Audio cd\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e Any images shown are stock photographs and product may differ from what is shown.  \u003cbr\u003e\u003cb\u003eCondition Notes\u003c\/b\u003e: Individually inspected: Guaranteed to play perfectly or your money back. Case may show wear and may be in library packaging. Ships Fast!  \u003cbr\u003e","brand":"Dream Books Co.","offers":[{"title":"Default Title","offer_id":41295744565306,"sku":"DBV.B004P1YX4E.G","price":7.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/6011\/0138\/files\/B004P1YX4E-0.jpg?v=1773855472","url":"https:\/\/shop.dreambooksco.com\/products\/gioia","provider":"Dream Books Co.","version":"1.0","type":"link"}